Material Imagination

MOÑIVAS, E. “La tierra: presencia y trascendencia. Apuntes sobre la imaginación material en la obra de William Congdon” en: ACEDO, Nieves; LIZARRAGA, Paula (Eds.). William Congdon y la revisión del Expresionismo Abstracto. Pamplona: Eunsa, Cátedra Félix Huarte, 2010, pp. 169-180.

Art History / Contemporary Art / Gaston Bachelard / Materials / History of Art / Materiality of Art / Visual Arts / Memory and materiality / Abstract Expressionism / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Artes visuales / Material Imagination / Imaginación material / Materiality of Art / Visual Arts / Memory and materiality / Abstract Expressionism / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Artes visuales / Material Imagination / Imaginación material

MOÑIVAS, E. \"Imágenes del agua. Recorridos temáticos\". Madrid: Museo Thyssen-Bornemisza, 2012, pp.1-9.

Aesthetics / Art History / Water / Arts Education / History of Art / Museology / Visual Arts / Arts Education and Pedagogy / Museologia / Historia del Arte / Museos y Patrimonio / Material Imagination / Visual Arts Education / Museos Y Educación / Water and Art / Imaginación material / Agua y arte / Museology / Visual Arts / Arts Education and Pedagogy / Museologia / Historia del Arte / Museos y Patrimonio / Material Imagination / Visual Arts Education / Museos Y Educación / Water and Art / Imaginación material / Agua y arte

MOÑIVAS, E. “Sobre la significación de la materia y el cambio de paradigma cultural” en: LOOTZ, Eva. Escultura negativa / Negative sculpture. Madrid: Fundación Arte y Mecenazgo; La Oficina de Arte y Ediciones, 2014, pp. 24-27.

Art Theory / Water / Art and Science / Materials / Arts-sciences interdisciplinarity / Artistic Research / Materiality of Art / Materiality / Arte contemporáneo / Arts and Sciences / Material Culture & Materiality / Art Theory and Criticism / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Material Imagination / Escultura Contemporanea / Sculpture-Materiality-Imagination / Water and Art / Imaginación material / Artistic Research / Materiality of Art / Materiality / Arte contemporáneo / Arts and Sciences / Material Culture & Materiality / Art Theory and Criticism / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Material Imagination / Escultura Contemporanea / Sculpture-Materiality-Imagination / Water and Art / Imaginación material

MOÑIVAS, E. \"h2o: emergencias\", 2013 [Texto comisarial exposición]

Water / Contemporary Art / Art and Science / Ivan Illich / Arts-sciences interdisciplinarity / Artistic Research / Materiality of Art / Fluids / Materiality / Exhibitions / Arte contemporáneo / Arts and Sciences / Methodologies for Artistic Research / Material Imagination / Exposiciones / Water and Art / Agua y arte / Artistic Research / Materiality of Art / Fluids / Materiality / Exhibitions / Arte contemporáneo / Arts and Sciences / Methodologies for Artistic Research / Material Imagination / Exposiciones / Water and Art / Agua y arte

MOÑIVAS, E. \"h2o: emergencias\", Universidad Complutense de Madrid, 12-15 de noviembre de 2013 [Dosier exposición]

Water / Contemporary Art / Art and Science / Ivan Illich / Arts-sciences interdisciplinarity / Artistic Research / Materiality of Art / Fluids / Materiality / Exhibitions / Arte contemporáneo / Arts and Sciences / Methodologies for Artistic Research / Material Imagination / Exposiciones / Water and Art / Agua y arte / Artistic Research / Materiality of Art / Fluids / Materiality / Exhibitions / Arte contemporáneo / Arts and Sciences / Methodologies for Artistic Research / Material Imagination / Exposiciones / Water and Art / Agua y arte

MOÑIVAS, E. \"La pintura como lugar de encuentro. Una lectura de las huellas en la materia\". Universidad de Navarra, 2007.

Art History / Contemporary Art / Materials / History of Art / Materiality of Art / Abstract Expressionism / Historia del Arte / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Material Imagination / Art Painting Techniques and Materials / Imaginación material / Abstract Expressionism / Historia del Arte / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Material Imagination / Art Painting Techniques and Materials / Imaginación material

MOÑIVAS, E. \"Diálogos Arte-Ciencia. Taller para la creación de proyectos en torno al agua\". Universidad Complutense de Madrid, 2013.

Water / Contemporary Art / Arts Education / Gaston Bachelard / Art and Science / Ivan Illich / Environmental Art / Aesthetics and Ethics / Arts-sciences interdisciplinarity / Artistic Research / Materiality of Art / Environmental Arts Education / Arts Education and Pedagogy / Memory and materiality / Education of Fine Arts / Arte contemporáneo / Arts and Sciences / Material Imagination / Art-based environmental education / Water and Art / Agua y arte / Ivan Illich / Environmental Art / Aesthetics and Ethics / Arts-sciences interdisciplinarity / Artistic Research / Materiality of Art / Environmental Arts Education / Arts Education and Pedagogy / Memory and materiality / Education of Fine Arts / Arte contemporáneo / Arts and Sciences / Material Imagination / Art-based environmental education / Water and Art / Agua y arte

MOÑIVAS, E. “Narrativas fluidas. El agua como presencia material en las artes plásticas contemporáneas” en: Dept. Història de l\'Art i CEHA-Comité Español de Historiadores del Arte (coords.). CEHA, XVII Congrés Nacional d´História de l´art. Art i Memóri. Granada: Editorial Atrio, 2012, pp. 249-263.

Aesthetics / Art History / Art Theory / Research Methodology / Water / Contemporary Art / Gaston Bachelard / Materials / History of Art / Art and technology / Materiality of Art / Memory and materiality / Fluids / New Materialism / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Material Culture & Materiality / New Materialisms / Estética, Teoría del Arte, Fenomenología / Andre Leroi-Gourhan / Materials and Techniques of Artists / Material Imagination / Phenomenology and the Artistic Process / Water and Art / Agua y arte / Contemporary Art / Gaston Bachelard / Materials / History of Art / Art and technology / Materiality of Art / Memory and materiality / Fluids / New Materialism / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Material Culture & Materiality / New Materialisms / Estética, Teoría del Arte, Fenomenología / Andre Leroi-Gourhan / Materials and Techniques of Artists / Material Imagination / Phenomenology and the Artistic Process / Water and Art / Agua y arte

MOÑIVAS, E. “Continuum. Un (posible) sueño sobre los límites que definen los objetos” en: VV.AA. Mutación poética. Naturaleza viva en los objetos de Ángel Ferrant. 1945-1950. Pamplona: Museo Oteiza, 2017.

Contemporary Art / ESCULTURA / Arte contemporáneo / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Material Imagination / Sculpture-Materiality-Imagination / Imaginación material / Ángel Ferrant / Material Imagination / Sculpture-Materiality-Imagination / Imaginación material / Ángel Ferrant

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